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By TyTe + Various Artists
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EmailDuring the gig
- Own the space. There's nothing worse than watching a beatboxer in a hoody, standing still doing their own thing. Use the space. Make sure you can be seen and stand out. Move around. Use your arms and hands in time to the music. You are a performer! Also, make sure there is nothing else happening on stage to distract the crowd - no DJs sorting through records, etc.
- Perform some covers. Unless you're a very well known and original beatboxer, doing covers of tunes that people know is a great way to get them hooked into your performance. Try and do something popular and that people will recognise.
- Be unique. Perform your own unique and well-crafted routines. For example, everyone knows TyTe for his echoes, Scooby-Doo and Dalek routines. However, don't try anything new on stage unless you're a seasoned improviser.
- Keep going. If you make a mistake, don't mention it and keep going. The chances are no-one will have noticed and they'll forget if you just keep on going! Keep going too if the monitoring suddenly cuts out or there's another technical hitch.
- Engage with the crowd. Make sure you maintain eye contact with the whole audience and don't turn your back on any part of the crowd. Communication is important. Using humour can help, especially at the beginning to get the crowd on side. If you must, talk to the crowd and get them going but don't talk too much between routines. You need to maintain the flow.
- Collaborate. Working with other artists can help create variety and fill a larger slot in a show. For example, DJ, MC or other beatboxer.
- Provide Cues. Make it obvious when you've finished a routine. Move the mic away from your mouth, step forward, call out "Did you feel that?" or some other cue to get the crowd cheering. When you finish the whole set, tell them who they've been listening to and thank them - "You've been listening to the TyTe - peace."
- Show sportsmanship. Don't just big up yourself, but big up other performers, especially other people you battle.
- The big finish. Save your best routine for last and always leave the crowd wanting more. Always have at least two extra routines up your sleeve in-case you get an encore or the host comes up to you and asks you to fill for an extra few minutes - these need to be crowd winning routines!
- Enjoy the show! Relax and enjoy the ride. Don't take it too seriously. If you are having fun then the crowd will have fun too.
To bite or not to bite?
In Europe it's more acceptable to copy a Rahzel or Kenny Muhammed routine as long as you cite them. It's seen as a compliment! In the USA this is not the case and you might get thrown off stage for biting someone elses routine. Be warned. You will get more respect for doing your own thing.
TyTe's performance nightmares...
- The time when I got boo'd off stage. It was only afterwards that this girl asked, "What was so good about you? You put on a crappy backing track and did some MCing over the top." I told her that I was the backing track and doing it all with my mouth. The crowd had never head of beatboxing. Doh!
- The time when my on-stage monitoring cut out infront of a crowd of 3000 people. I couldn't hear a thing! It threw me and I fumbled. I should have kept on going.
- The time when my mic cut out mid-performance and the sound engineer had gone to the bathroom. The crowd were all looking at me so I did some bad breakdancing for fun and the crowd loved it. The engineer zipped up, returned, the mic came back on and the show continued.
- The time when I performed at a drum'n'bass night and the DJ stopped and I had to simply carry on to a full club with an MC, doing 20 mins of non-stop drum'n'bass beatboxing to maintain the flow. It nearly killed me!
- The time I went on stage without a sound check and they gave me a cheap plastic kids toy mic. It sounded terrible. I just wanted to go home.
- The time I went on stage in a full club and there was no sound engineer. All the levels were set badly and the crowd couldn't hear me. After the first set, I went and set the levels myself, then went back on stage and ripped it up!
Thanks to Ben Oprstu, TyTe, Guynextdoor, Selector, Jonathan, KaGhaaz and White Noise and Nerbiz.
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