by Karen Lederer [READ THE PHONETICS OF BEATBOXING: APPENDIX 2] The Acoustic and Auditory Phonetics of Human Beatboxing References Brown, R (1999) Make the Music 2000, California. MCA Records. Brown, ...

by Karen Lederer [READ THE PHONETICS OF BEATBOXING: APPENDIX 1] The Acoustic and Auditory Phonetics of Human Beatboxing Appendix 2 : Presentation of Results: Precisions of measurements, terms and abbreviations ...

by Karen Lederer [READ PART 8 : LIMITATIONS AND SUGGESTIONS FOR FURTHER STUDY] The Acoustic and Auditory Phonetics of Human Beatboxing Appendix 1 : File Information (Taken from Michael Fischer’s ...

by Karen Lederer [READ PART 7 : GENERAL CONCLUSIONS] The Acoustic and Auditory Phonetics of Human Beatboxing Part 8 : Limitations and suggestions for further study The beatboxing samples used ...

by Karen Lederer [READ PART 6 : RESULTS AND ANALYSIS] The Acoustic and Auditory Phonetics of Human Beatboxing Part 7 : General Conclusions We have seen in Part 6 that ...

by Karen Lederer [READ PART 5 : METHODOLOGY] The Acoustic and Auditory Phonetics of Human Beatboxing Part 6 : Results and Analysis In Part 6 of Karen Lederer's series on ...

by Karen Lederer [READ PART 4 : THE ELECTRONIC AND VOCAL PRODUCTION OF SOUND] The Acoustic and Auditory Phonetics of Human Beatboxing Part 5 : Methodology In Part 5 of ...

by Karen Lederer [READ PART 3 : THE PERCEPTION OF BEATBOXING] The Acoustic and Auditory Phonetics of Human Beatboxing Part 4 : The electronic and vocal production of sound In ...

by Karen Lederer [READ PART 2 : HOW THE BRAIN PERCEIVES AND PROCESSES VOCAL SOUNDS] The Acoustic and Auditory Phonetics of Human Beatboxing Part 3 : The perception of beatboxing ...